The Crowne Plaza Hotel at Changi Airport is designed to calm the senses. It is located at the end of Terminal 3, just past the bubble tea place. One minute, you are in the famously clean brightly lit Singapore airport, and the next minute you are an extra in Joss Whedon’s Dollhouse.
The floor and walls in the lobby are black, and the lighting is soft and low. The couches are magenta with black felt pillows that look like big bunches of grapes.
The check-in staff wear monochromatic jackets from Muji. The man speaks softly. He asks for the details of your connecting flight and inquires as to whether or not you’d like a wake-up call. He offers to help with your luggage, and nods sympathetically when you say no thank you. Of course you want to be with your bags.
You order a glass of red wine from the hotel bar and ask if you can take it to your room. Certainly, the bartender says sweetly, and tops you off. And a Tiger Beer for my husband. You can’t forget about him, she giggles.
You walk down the dark corridor to Room 318, and notice you’re walking a wooden plank, a moat on either side. The water is still. It is sleeping.
The color palette in the room is black, white, and beige. On the walls are large blurry photographs of orchids. All the furniture has rounded edges and the bathroom door slides open to reveal a large oval tub. The body lotion has essences of sage and lavender.
Your youngest daughter crawls into bed with her book and blankie. You keep the lights low as you turn on your computer and drink your wine.
Soon your glass is empty. You brush your teeth and join your sleeping daughter in bed. You hear planes taking off. You could be anywhere.